Vast Diversity

WHAT I BEGAN TO see was that the Bible is not essentially, as I had always more or less supposed, a book of ethical principles, of moral exhortations, of cautionary tales about exemplary people, of uplifting thoughts—in fact, not really a religious book at all in the sense that most of the books you would be apt to find in a minister's study or reviewed in a special religion issue of the New York Times book section are religious. I saw it instead as a great, tattered compendium of writings, the underlying and unifying purpose of all of which is to show how God works through the Jacobs and Jabboks of history to make himself known to the world and to draw the world back to himself.

For all its vast diversity and unevenness, it is a book with a plot and a plot that can be readily stated. God makes the world in love. For one reason or another the world chooses to reject God. God will not reject the world but continues his mysterious and relentless pursuit of it to the end of time. That is what he is doing by choosing Israel to be his special people. That is what he is doing through all the passion and poetry and invective of the prophets. That is why history plays such a crucial part in the Old Testament—all those kings and renegades and battles and invasions and apostasies—because it was precisely through people like that and events like those that God was at work, as, later, in the New Testament, he was supremely at work in the person and event of Jesus Christ. Only "is at work" would be the more accurate way of putting it because if there is a God who works at all, his work goes on still, of course, and at one and the same time the biblical past not only illumines the present but becomes itself part of that present, part of our own individual pasts. Until you can read the story of Adam and Eve, of Abraham and Sarah, of David and Bathsheba, as your own story, Muilenburg said, you have not really understood it. The Bible, as he presented it, is a book finally about ourselves, our own apostasies, our own battles and blessings; and it was the discovery of that more than of the differences between the Yahwist, Elohist, Deuteronomic, and Priestly sources of the Pentateuch that constituted the real reward of writing that apocalyptic paper.

-From Now and Then and Listening to Your Life

Opening of a Door

MUILENBURG WAS A fool, I suppose, in the sense that he was an intimate of the dark, yet held fast to the light as if it were something you could hold fast to; in the sense that he wore his heart on his sleeve even though it was in some ways a broken heart; in the sense that he was as absurdly himself before the packed lecture hall as he was alone in his office; a fool in the sense that he was a child in his terrible candor. A fool, in other words, for Christ. Though I was no longer at Union when he gave his final lecture there, I am told that a number of students from the Jewish seminary across the street attended it and, before entering the great room, left their shoes in the corridor outside to indicate that the ground on which they stood with him was holy ground.

As a scholar, he knew plenty and demanded plenty from his students. He was uncompromising in his insistence, especially, upon the necessity of exposing the Bible to all the modern instruments of literary and historical criticism and refused ever to sacrifice, or to let any of us sacrifice, scholarly integrity to the demands and presuppositions of conventional religiosity. In order to impress upon his students what he felt to be the crucial importance of this approach, he assigned us the task of writing what was known to fame as the Pentateuch Paper. In it we were to expound and support by close textual analysis the hypothesis that the first five books of the Old Testament could not be a single work written by Moses, as traditionally supposed, but were a composite work consisting of some four or more documents, each of which had its own style, theological outlook, and polemical purpose. The paper came as the climax of Muilenburg's introductory course, but the shadow it cast was a long one, and from the earliest weeks it loomed less as a paper than as a rite of passage. It had to be very long. It had to be very good. It had to hold water. And I remember still the acute apprehension with which I launched into it, the first paper I had written for anybody about anything since college. It turned out to be the opening of a door.

-Originally published in Now and Then

James Muilenberg

BUT FOR ME, AS for most of us studying there in those days, there was no one on the faculty who left so powerful and lasting an impression as James Muilenburg. He was an angular man with thinning white hair, staring eyes, and a nose and chin which at times seemed so close to touching that they gave him the face of a good witch. In his introductory Old Testament course, the largest lecture hall that Union had was always packed to hear him. Students brought friends. Friends brought friends. People stood in the back when the chairs ran out. Up and down the whole length of the aisle he would stride as he chanted the war songs, the taunt songs, the dirges of ancient Israel. With his body stiff, his knees bent, his arms scarecrowed far to either side, he never merely taught the Old Testament but was the Old Testament. He would be Adam, wide-eyed and halting as he named the beasts—"You are . . . an elephant . . . a butterfly . . . an ostrich!"—or Eve, trembling and afraid in the garden of her lost innocence, would be David sobbing his great lament at the death of Saul and Jonathan, would be Moses coming down from Sinai. His face uptilted and his eyes aghast, he would be Yahweh himself, creating the heavens and the earth, and when he called out, "Let there be light.'" There is no way of putting it other than to say that there would be light, great floods of it reflected in the hundreds of faces watching him in that enormous room. In more or less these words, I described him in a novel later, and when I showed him the typescript for his approval, he was appalled because it seemed to confirm his terrible fear that he was making a fool of himself. And, of course, if it hadn't been for his genius, for the staggering sincerity of his performance, he might almost have been right. It was a measure of folly as well as of strength and courage, I suppose, to let himself come so perilously close to disaster.

"Every morning when you wake up," he used to say, "before you reaffirm your faith in the majesty of a loving God, before you say I believe for another day, read the Daily News with its record of the latest crimes and tragedies of mankind and then see if you can honestly say it again." He was a fool in the sense that he didn't or couldn't or wouldn't resolve, intellectualize, evade, the tensions of his faith but lived those tensions out, torn almost in two by them at times. His faith was not a seamless garment but a ragged garment with the seams showing, the tears showing, a garment that he clutched about him like a man in a storm.

-Originally published in Now and Then

Reinhold Niebuhr

IN THE LAST ANALYSIS, I have always believed, it is not so much their subjects that the great teachers teach as it is themselves. In some box in the attic, or up over the garage, I must still have notes on the lectures I heard given by Niebuhr, Tillich, and the rest of them. It would be possible to exhume them and summarize some of what struck me most. But though much of what these teachers said remains with me still and has become so much a part of my own way of thinking and speaking that often I sound like them without realizing it, it is they themselves who left the deeper mark.

I see Reinhold Niebuhr, for instance, in a beret with the wind ballooning out his raincoat as he walks his poodle along Riverside Drive. A stroke had left his speech slightly indistinct at times and one arm less than fully functional, but he always gave me the impression of great energy and wit, great involvement in the events of his time. He had been Roosevelt's adviser. He was Auden's friend. There seemed to be no phase of human history that he didn't have at his fingertips, no eminence that he couldn't have attained in any field where he'd chosen to attain it; but it was to the church that he gave himself in all its shabbiness as well as all its glory, to his students, to the work of Christ, whom he served with all his urbanity and shrewdness—that tamed cynic, as he called himself, his bad arm tucked in against his chest and his speech slurred. It was the glittering breadth of his knowledge that I remember best, his gift for applying the insights of the Christian faith to the whole spectrum of politics, economics, international affairs. He was bald, owlish-looking, with deep frown-lines, a deep-cut, sardonic mouth. He had a nose quick to sniff out the irony and ambivalence of things in general and of piety in particular, an eye sharp to perceive that the children of darkness are apt to be not only wiser but often more appealing and plausible than the children of light.

-Originally published in Now and Then 

More Than Intellect Involved

COLLEGE FOR ME had been a Renaissance sampling of whatever happened to catch my fancy—medieval history and creative writing, literary criticism and American architecture, Russian and German in addition to Greek—a random accumulating of riches for no motive more far-reaching than simply to enrich myself. Seminary, on the other hand, was my Reformation. Such skills of reading, writing, understanding, as I had picked up during my disheveled and war-interrupted college career I gathered together and directed toward a more or less single end. I wanted to learn about Christ—about the Old Testament, which had been his Bible, and the New Testament, which was the Bible about him; about the history of the church, which had been founded on the faith that through him God had not only revealed his innermost nature and his purpose for the world, but had released into the world a fierce power to draw people into that nature and adapt them to that purpose, the church that not even the assorted barbarities and blunders of its ragged two thousand years had ever quite managed finally to discredit or destroy; about the theological systems that the passion of his original followers, and of Saint Paul in particular, had been distilled into. No intellectual pursuit had ever aroused in me such intense curiosity, and much more than my intellect was involved, much more than my curiosity aroused. In the unfamiliar setting of a Presbyterian church, of all places, I had been moved to astonished tears which came from so deep inside me that to this day I have never fathomed them. I wanted to learn more about the source of those tears and the object of that astonishment. I wanted to know, and be known by, people who knew greatly more about Christ than I did, were greatly closer to him than I was, greatly more aware of what they were about and of what he was about in them. Maybe above everything, I wanted to do something for him; and since—as writer, reader, teacher—most of my doing in the past had involved paper and pen, books and study, a seminary seemed the proper place to do it.

-Originally published in Now and Then