Living the Day Out

FORGET YOURSELF IN the dream of daily life, Tolstoy says, and forget myself, yes. To forget myself in the very process of being myself, I ask no better. Perhaps there is no gift more precious than the gift of spontaneity, the ability of certain men and animals to act straight and fresh and self-forgettingly out of the living center of who they are without the paralyzing intervention of self-awareness. But the dream of daily life, no. I have had enough for awhile of dreams. Certainly it is often dreamlike enough as you move from morning to evening with little sense of how you got from one to the other, as you move from conversation to conversation, living your life like the food you eat in dreams which neither tastes nor nourishes.

But I don't want to dream this day out. I want to live this day out. I want to live this day out as though it were the first day of my life because that is of course what it is.

Who knows whether there is life on any other planet anywhere else in the universe, but there is life on this planet. And what is life like? Think of not knowing what life is and then finding out: a book suddenly learning how to read; a rock jutting out into the sea suddenly knowing the thump and splatter of the waves, the taste of salt. You are alive. It needn't have been so. It wasn't so once, and it will not be so forever. But it is so now. And what is it like: to be alive in this maybe one place of all places anywhere where life is? Live a day of it and see. Take any day and be alive in it. Nobody claims that it will be entirely painless, but no matter. It is your birthday, and there are many presents to open. The world is to open.

It rattles softly at the window like the fingers of a child as I sit on the edge of the tub to tie my shoes. It comes down the glass in crooked paths to stir my heart absurdly as it always has, and dear God in Heaven, the sound of it on the roof, on the taut black silk of the umbrella, on the catalpa leaves, dimpling the glassy surface of the peepering pond. It is the rain, and it tastes of silver; it is the rain, and it smells of christening. The rain is falling on the morning of my first day, and everything is wet with it: wet earth, wet fur, the smell of the grass when it is wet, the smell of the wet pavements of the city and the sound of tires on the wet streets, the wet hair and face of a woman doing errands in the rain. Wherever my feet take me now, it will be to something wet, something new, that I have never seen before.

-Originally published in The Alphabet of Grace

Eternal Life

WHEN YOU ARE WITH SOMEBODY you love, you have little if any sense of the passage of time, and you also have, in the fullest sense of the phrase, a good time.

When you are with God, you have something like the same experience. The biblical term for the experience is eternal life. Another is heaven.

What does it mean to be "with God"? It doesn't mean you have to be thinking about being with God, or feeling religious, or sitting in church, or saying your prayers, though it might mean any or all of these. It doesn't even mean you have to believe in God.

To say that a person is "with it" is slang for saying that whether he's playing an electric guitar or just watching the clouds roll by, he's so caught up in what he's doing and so totally himself while he's doing it that there's none of him left over to be doing anything else with in the back of his head or out of the corner of his eye. It's slang for saying that the temperature where she is is about forty degrees hotter than the temperature where she is not, and that whatever it is everybody's looking for, she's found it, and that if she were a flag and they ran her up the mast, we'd all have to salute whether we liked it or not. And the chances are we'd like it.

Being "with it " may not be the same as being with God, but it comes close.

We think of eternal life, if we think of it at all, as what happens when life ends. We would do better to think of it as what happens when life begins.

Saint Paul uses the phrase eternal life to describe the end and goal of the process of salvation. Elsewhere he writes the same thing in a remarkable sentence in which he says that the whole purpose of God's slogging around through the muck of history and of our own individual histories is somehow to prod us, jolly us, worry us, cajole us, and, if need be, bludgeon us into reaching "maturity . . . the measure of the full stature of Christ" (Ephesians 4:13).

In other words, to live eternal life in the full and final sense is to be with God as Christ is with him, and with each other as Christ is with us.

-Originally published in Wishful Thinking and later in Beyond Words

Escapism

RELIGION HAS OFTEN BEEN DENOUNCED as escapism, and it often is. To deny the prevalence of pain in the world and the perennial popularity of evil. To abdicate responsibility for them by assuming that God will take care of them very nicely on his own. To accept them as divine judgment upon the sins especially of other people. To dismiss them or to encourage others to dismiss them by stressing the promise of pie in the sky. To pretend like a Forest Lawn cosmetologist that there's no such thing as death. To maintain your faith by refusing to face any nasty fact that threatens it. These are all ways of escaping reality through religion and should be denounced right along with such other modes of escape as liquor, drugs, TV, or any simplistic optimism such as jingoism, right-wing evangelicalism, moralism, idealism, and so on, which assume that if everybody would only see it our way, evil would vanish and all would be sweetness and light.

But the desire to escape is not always something to be denounced, as any prisoner or slave could tell you. Jesus said, "If you continue in my word, you are truly my disciples, and you will know the truth, and the truth will make you free" (John 8:31-32). Free from sin, he explained when they pressed him. Free from imprisonment within the narrow walls of your own not all that enlightened self-interest. Free from enslavement to your own shabbiest instincts, deceits, and self-deceptions. Freedom not from responsibility, but for it. Escape not from reality, but into it.

The best moments we any of us have as human beings are those moments when for a little while it is possible to escape the squirrel cage of being me into the landscape of being us.

-Originally published in Wishful Thinking and later in Beyond Words

The Holy Dream

THE INVISIBLE MANIFESTS itself in the visible. I think of the alphabet, of letters literally—A, B, C, D, E, F, G, all twenty-six of them. I think of how poetry, history, the wisdom of the sages and the holiness of the saints, all of this invisible comes down to us dressed out in their visible, alphabetic drab.

I am thinking of incarnation, breath becoming speech through teeth and tongue, spirit becoming word, silence becoming prayer, the holy dream becoming the holy face. I am speaking of the humdrum events of our lives as an alphabet.

I am thinking of grace. I am thinking of the power beyond all power, the power that holds all things in manifestation, and I am thinking of this power as ultimately a Christ-making power, which is to say a power that makes Christs, which is to say a power that works through the drab and hubbub of our lives to make Christs of us before we're done or else, for our sakes, graciously to destroy us. In neither case, needless to say, is the process to be thought of as painless.

I am thinking of salvation. In the movie called 2001, A Space Odyssey, a man goes hurtling through the universe to the outermost limits of the universe, the outermost limits of space and time. Through huge crevasses of racing light he passes finally beyond space and time altogether, and you sit there in the midnight of the movie theater watching him and wondering what fantastic secret he will discover there at the very secret heart of the fantastic itself, and then comes the movie's most interesting moment. Because when his space pod finally comes to rest, what the man steps out to discover is not some blinding cosmic revelation, some science-fiction marvel, but a room. He steps out into an almost everyday room of floor and ceiling and walls with a table in it and some chairs and a half-filled bookshelf and a vase of flowers and a bed. And in this room the man dies and is born again. At the heart of reality there is a room. At the heart of reality there is a heart beating life into all that lives and dies. Clack-clack.

-Originally published in The Alphabet of Grace

Silence and Random Sounds

OR SILENCE—SILENCE between people, strangers sitting beside each other on a train or at night or taking shelter under the same awning in a rainstorm. Two lives hidden behind faces, divided by fathoms of empty space, wrapped round in silence which one of them breaks then with maybe some word that in one way or another means Know me, Know me, clack-clack, and something that never was before comes into being as the other replies and something is made manifest—a lunar landing, a footprint on an alien star.

Or out of silence prayer happens: waking at night when the silence in your room is no deeper than the silence in yourself because for a moment all thought is stilled and you do not know where you are or possibly even who you are or what you are, and then out of this noplace and nobody that is you, out of this silence that your flesh shells, the prayer comes—O Thou—out of silence, addressed to silence, then returning to silence like the holy syllable OM where it is the silence encircling the sound that is itself most holy.

Or the other way round. All at once or little by little, the disguise of words is dropped, the conversation dwindles like a mist thinning out, and for the first time the shape of another becomes at least partially visible, and eyes meet, or without apology for once hands touch, and the angel who troubles the waters troubles the in-between air and a healing becomes possible. For the miracle at least of the moment the deaf hear and the blind, the blind, see.

You get married, a child is born or not born, in the middle of the night there is a knocking at the door, on the way home through the park you see a man feeding pigeons, all the tests come in negative and the doctor gives you back your life again: incident follows incident helter-skelter leading apparently nowhere, but then once in a while there is the suggestion of purpose, meaning, direction, the suggestion of plot, the suggestion that, however clumsily, your life is trying to tell you something, take you somewhere.

Or random sounds: the clock's tick-tock, voices outside the window, footsteps on the stair, a bird singing, and then just for a moment a hint of melody.

-Originally published in The Alphabet of Grace