Everything is gone that ever made Jerusalem, like all cities, torn apart, dangerous, heartbreaking, seamy. You walk the streets in peace now. Small children play unattended in the parks. No stranger goes by whom you can't imagine a fast friend. The city has become what those who loved it always dreamed and what in their dreams it always was. The new Jerusalem. That seems to be the secret of heaven. The new Chicago, Leningrad, Hiroshima, Baghdad. The new bus driver, hot-dog man, seamstress, hairdresser. The new you, me, everybody.
It was always buried there like treasure in all of us — the best we had it in us to become — and there were times you could almost see it. Even the least likely face, asleep, bore traces of it. Even the bombed-out city after nightfall with the public squares in a shambles and moonlight silvering the broken pavement. To speak of heavenly music or a heavenly day isn't always to gush but sometimes to catch a glimpse of something. "Death shall be no more, neither shall there be mourning nor crying nor pain any more," the book of Revelation says (21:4). You can catch a glimpse of that too in almost anybody's eyes if you choose the right moment to look, even in animals' eyes.
If the new is to be born, though, the old has to die. It is the law of the place. For the best to happen, the worst must stop happening — the worst we are, the worst we do. But maybe it isn't as difficult as it sounds. It was a hardened criminal within minutes of death, after all, who said only, "Jesus, remember me," and that turned out to be enough. "This day you will be with me in paradise" was the answer he just managed to hear.
~originally published in Whistling in the Dark and later in Beyond Words
